Ok fine, you can laugh at me……BTS video

Here’s a BTS vid of me inside a V8 Supercar with none other than 2010 series Champion James Courtney.

My defence is that I didn’t know that the in built cameras were on, otherwise I would have pulled “cooler” faces. But then again, I’m not sure if I could.

Watch through to about the 1 minute mark where I really start to lose it

Enjoy

The Ten Tenors

It’s been a while since I’ve been able to share work I’ve recently done for non-disclosure reasons, so I’m excited to show some behind the scenes pics of a shoot from 2 days ago….hot off the press.

I spent the day with The Ten Tenors shooting the tour posters for their upcoming World tour.

A real great bunch of talented guys who are doing an amazing job of representing Australian music on a global scale.

Here’s a link to The Ten Tenors on Oprah earlier this year

You can see all the behind the scenes pics taken by assistant Janaka here

Dead Kooks

Teamed up with friends of mine Eden & Chloe the other day. Eden’s a rad guy and likes to make his own things you can surf on. I like people who make things; creatives, craftsmen, the like. You can check out his surfing boards on the Dead Kooks site.

View the whole In:Series here

In the Bay with JM Paddleboards

I went and shot some promo pics for JM Paddleboards, the brainchild of 9 time Molokai Paddleboard champ, big wave surfer and Quiksilver athlete Jamie Mitchell.

I’ve spent a bit of time in shaping bay’s and have always thought they have cool light.

For those of you who haven’t ever been in one, this is what you’ll see

You can view the whole shoot here

All Aboard the Rain Train

Anyone that has been on the East coast of Australia will know how much it’s rained lately, weeks and weeks nonestop. I never thought it could rain this much, ever, anywhere. Along with messing with my head, it’s been messing with my business too.

Was scheduled to shoot a profile of actor Felix Kong, who’s been in recent roles in Sea Patrol, alongside Underbelly star Geyton Grantley in new film Full Catch, and in commercials for Subway and Nokia.

The weather just wouldn’t cooperate though, and our deadline was fast approaching. I finally had the idea of just riding the train to stay dry, and seeing what would happen. We packed real light, camera, lenses, Haley Whittle my makeup artist kept watch, and we came home with some cool shots.

You can view the whole shoot here

Courtney Hancock – Beachgirl to Ironwoman

Just finished working with Courtney Hancock, an athlete on the Kellogg’s Nutrigrain series. The brief to me called for an editorial type piece for publication to give a bit of insight on who Courtney is.

The story I’m telling is of the transition from Courtney the young beach girl, enjoying herself just like anyone else her age does,  to the unbridled drive that makes her a serious contender as an Ironwoman.  I think the transition between the lifestyle shots through to the final image of her running on the beach does that.

4 days after this shoot Courtney came runner up in the Coolangatta Gold endurance race.

Click through to see the whole series here


Beyond the Work & Extending your Vision

I’ve recently been shooting more complex projects from a production value point of view, which in turn has had me exercising my ability to extend my vision beyond the creative into building a team to work with.

Last project was a 4 day shoot with 7 crew including myself, plus art director, client production staff, and brand representatives to ensure we were within the client’s brand message. We had permits to secure access and shoot in public locations and were scheduled down to the minute. Everything from names of each talent and crew member attending each location down to switching on/off ambient lights had to be organized in advance. We built sets with props and furniture, made up and styled 30 plus talent, recreated sunlight, and used artificial light to reproduce window lit scenes. I shot tethered straight into a computer and at most point had a number of client representatives and stakeholders watching every shot in real time as I shot them. Obviously all of the above work is done by a team who, from the moment of being appointed the project, I relied on to help me deliver the final product.

All of this is not possible without putting 100% of trust in people that can either make or break the job. This is where vision extends beyond the work and into other areas of being a creative professional, knowing the work we want to do, how we want to do it, and who we want to do it with. Every detail adds to the outcome like creating the right vibe on set, making sure people are fed and happy, and presenting a unified front as a team to the client. This is what creative shoots are good for, building relationships and locking in the team.

Rue Denim – Summer 2010 Advertising Images

Exciting new label Rue Denim has rolled out the images we recently shot in studio of their summer range. The aim was to produce brand images for in-store and web signage.

The brief was all about showing the form fitting range of jeans on a clean white background.

Tech info after the images

Tech info for all you tech junkies:

  • Shot on a white seamless background with reflective floor
  • 2 lights on the background, key light through a beauty dish or 60 inch softbox on the model, large reflector for fill
  • Background lights are flagged to prevent spill
  • 2 black barndoors to either side of model to increase contrast